When a project is chronological the software seems to process much quicker than others.
FCP X feels like it resists projects that play with the chronology of a piece and instead is happier when working towards chronological editing (that is, a project that follows a narrative from beginning, to middle, and end). So veteran editors that are new to FCP X may have to unlearn old habits.įCP X is capable of editing projects to almost any level, but it’s not best-suited for complex video editing work that specifically requires a large volume of video tracks. That’s because FCP X seems to function in reverse to a lot of the other editors out there, presumably in an attempt to keep editing workflows clear and smooth. However, for those that have edited on non-linear editors before it may be a little trickier to use. That means there’s no confusion when it comes to backing up data, and less doubling-up on content, which, if you’re keen to minimise the storage footprint on your hard drive, is great news. Renaming files and other media from within Premiere Pro will also see the media on the storage device renamed, and this works the other way around as well. It’s a step-up in flexibility for multiple user workflow but it has some good benefits for independent editors that work alone, too. Premiere Pro uses Productions to increase organisation and synchronisation for multi-project workflows where there is a team of editors working on the same content.
In fact, the software works with a whole host of other Adobe software, too.Īs well as After Effects, Premiere Pro works seamlessly with many other of the Adobe suite titles including Audition for audio editing, Photoshop and Illustrator for working with image files, and Adobe Stock.Render times in Premiere Pro can take quite a long time, occasionally bigger, more complex projects have been known to flare up issues with content the software can’t read, or generating errors. Basic editing tools like track selection, trimming, and ripple or rolling edit functions lay the groundwork for Premiere Pro’s more detailed editing functions such as Lumetri Color for colour grading. Its panel-based user interface maintains an organised workspace but is also fully customisable. Premiere Pro benefits from fantastic workflow flexibility, a strong emphasis on team projects, powerful adjustment layers, and raw controls to keep footage looking its best, there’s a lot to love about this video editor. Not to mention the myriad available get-started video tutorials available on the Adobe website. Upon first opening there’s an interactive guide that walks you through the software with precision. Though the software opens up with all the bells and whistles, and may look complicated, it’s actually quite well parsed, keeping things streamlined. Plugins, like the ones in this list, really can make a difference to the quality of your work, and it's something I discussed recently with panels and plugins for Photoshop.Coming to Premiere Pro as a new user couldn’t be easier. However, what is covered by post-production is getting wider and wider, with many wholesale changes to the atmosphere or location being completed in post. Where you might presume something was done in-camera, it often ends up being the case that it was added in After Effects or something else in the editing phase. Now, plugins can not only save you a lot of time or smooth out your workflow, they can become indispensable for creating high-end work and generating your own look or style.Ī common thread I have noticed in behind the scenes footage and "the making of" videos is just how much post-production wizardry goes into a final edit. Then, over the last 5 years or so, they have grown into what are almost standalone applications. Plugins for software used to be so weak I couldn't understand why anyone ever spent good money on them. Here are five of the best plugins you can get for it and examples of what they do. Final Cut Pro X is Apple's video editing software that has been steadily growing in popularity over the years.
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