Shooting RAW lends itself to easier color correction of white balance or overall image color/hue if the Milky Way itself is way off in hte original image capture.Īnd while most photographers strive to get the color of the Milky Way in the night sky correct, sometimes, artistic demands win out.ĭiana normally tries to get the white balance correct in the camera. Whether to shoot RAW (Nikon NEF) or JPEG files comes down to whether you normally shoot RAW or JPEG.
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When including the landscape in the foreground, Diana will make a second exposure of about 5 minutes in length at f/2.8, ISO 2000, 4000°K white balance, with long exposure noise reduction turned on, for a well exposed foreground that will blend nicely with the night sky or Milky Way above. Closer than 10 feet, Diana suggests taking a second image with the foreground exposure correct and compositing them. If you’re including the foreground in the frame, so long as any foreground objects are more than 10 or so feet from the camera, even at f/2.8 the focus will be fine if you’re focused on stars, a planet or infinity. It takes a little practice but once you get it you have it,” she says, adding, “I always lock down the focus with gaffer tape and make sure that I’ve turned off the autofocus.” “I turn the focus back and forth until the star pops. She suggests keeping the shutter speed below 25 seconds, otherwise the stars may start to blur.įor focus, Diana uses Live View, zoomed in on a bright star or Jupiter. I experiment depending on the darkness, changing the ISO to 3200 and shutter speed to 25 seconds,” Diana explains.
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“I use manual mode, f/2.8, 20 seconds, ISO 4000, white balance of 4000°K. She also uses a red headlamp to keep her night vision while shooting.ĭiana suggests using a basic starting exposure and experimenting from there for the ideal exposure. To keep the camera steady and not induce any shake, Diana uses a wireless remote shutter release to trigger the shutter. Because exposures are going to be made at around 20 – 25 seconds in length, the camera needs to be on a steady tripod. Paul Van Allen and Tony Krup work for Nikon, educating photographers of all levels about photography, video and Nikon gear.įor night sky and Milky Way photography, Diana’s go-to cameras are the D850 and D5 with the 14-24mm lens zoomed out to 14mm. She has taken photographs of the Milky Way throughout the year, and from locations across the country.
If you’re in a location with little to no light pollution, a sky filled with stars as far as the eye can see and the Milky Way, well it's a sight that just has to be seen to be appreciated.ĭiana Robinson is a nature and wildlife photographer who frequently spends her evenings photographing celestial objects in the night sky. One of the most impressive sights in the night sky for those who view it for the first time is the Milky Way.
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